The banshee denies this and attacks, with her scream destroying the building they are in but leaving Bruce largely unharmed. The party locate the banshee and Bruce accuses her of being an assassin sent by King Jefferson, based on knowledge he has gained from his spy in Jefferson's court. Prince Kal-el asks to join them but is forbidden, due to his family's vulerability to magic. Nineteen years later, Bruce, a knight of the Kingdom of El, his companion Alfred, and his squires Richard, Duke, Jason and Stephanie go on a quest to capture a banshee. In the nearby Kingdom of Storms, a local peasant boy named Constantine has a vision of demons who will conquer the world while King Jefferson listens and orders the prophecy recorded. Jor-El destroys them with his heat vision just as his son, Kal-El is born. Issues Titleįleeing the destruction of Krypton, Jor-El and Lara crash-land on Earth and are confronted by a group of archers who arrive to investigate from a nearby castle. A special issue, Tales from the Three Kingdoms, featuring three stories set in the Dark Knights of Steel world prior to the main plot, was released on September 6, 2022, written by Taylor, Jay Kristoff and C.S. Dark Knights of Steel consists of twelve issues released by DC Comics at monthly intervals, the first being published on November 2, 2021. The Dark Knights of Steel comic book limited series was created by Tom Taylor and Yasmine Putri, with the former serving as writer and the latter as lead illustrator the fourth and seventh issues of the comic book were drawn by Bengal and Nathan Gooden rather than Putri. Set in an alternate universe, the series is a high fantasy reimagining of the DC Universe starring Superman and Batman. The twelve-issue limited series-written by Taylor and illustrated primarily by Putri-began its monthly publication on November 2, 2021. Art by Yasmine Putri.ĭark Knights of Steel is an American comic book created by Tom Taylor and Yasmine Putri and published by DC Comics. Cover of Dark Knights of Steel #1 (November 2021).
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However, whilst the average revenue of a Money League club increased from €409m in 2020/21 to €462m in 2021/22, it is still marginally below the record levels experienced three years prior (€464m). The return of fans brought the overall revenue split of clubs in line with pre-pandemic levels, with the top 20 clubs in 2021/22 generating 15% of their revenue from matchday activities, 44% from broadcasting and 41% from commercial sources, which was almost identical to the split recorded in 2018/19. However, the increase in commercial revenue was offset by an 11% (€485m) fall in broadcast revenue, as the bumper year experienced in 2020/21, as a result of the deferrals of revenue relating to the postponed 2019/20 seasons being recognised in the financial year, was not repeated.ġ The average exchange rate for the year ending 30 June 2022 was €1 = £0.85, compared to €1 = £0.89 in the year ending 30 June 2021. Five of the Premier League’s ‘big six’ reported increases of 15% or more in Euro terms (a total increase of €226m) as new partnerships were entered and non-matchday events such as concerts and stadium tours returned. Additionally, cumulative commercial revenue rose by 8% (from €3.5 billion to €3.8 billion), which was primarily facilitated by English clubs (who also benefitted from the movement in exchange rates over the financial year 1). The rise was driven by the return of fans after two COVID-hit seasons, with matchday revenue increasing from €111m in 2020/21 to €1.4 billion in 2021/22. The total revenue for the top 20 revenue generating clubs in 2021/22 stood at €9.2 billion, an increase of 13% compared to the €8.2 billion reported by the Money League clubs of 2020/21 (and was only marginally lower than pre-pandemic levels, also €9.2 billion in 2018/19). |